Here I share my lectures at the University and my essays and\or researches about Classical Antiquity
Monday, June 4, 2007
POIЕSIS
POIЕSIS.
Classical and contemporary attempts at
the theory of ancient Greek literature
Vol. І.
Aristotle and Hegel
Preface .......................7
Preface to volume І............8
Aristotle’s literary theory...15
І. Aristotle’s idea of literature
1. The question of terms
2. Distinctions between literature and other activities
3. The aim of the literary work
ІІ. The tasks of literary theory
1. The idea of literary science
2. The structure of Aristotle’s “Poetics"
3. The tasks of the literary theory
ІІІ. Classification of literary types
1. Means of imitation
2. Quality of the imitated
3. Way of imitation
ІV. Aesthetic categories
1. The tragic and its discrimination from other aesthetic categories
2. The comic and the ugly
3. The beautiful
V. Rules for composing a literary work
1. Plot
2. Characters
3. Thought and speech
4. Musical and visible part
5. Drawing up the rules for composing a tragedy out of its definition
VІ. Aristotle’s view of the history of literature
1. Literature and human nature
2. The history of literature as a process of distinguishing between types
3. The documented history of literature: the role of poetic talent
4. The aim of the history of literature
VІІ. “Poetics” and the principles of Aristotle’s philosophy
1. The question of definition
2. The literary work as an outcome of the four causae
3. Literature as an instrument of cognition
4. Literature and the development of virtues
The view of literature in Hegel’s “Aesthetics”... 63
І. The structure of “Aesthetics”
1. Artistically beautiful or the ideal
2. Specific forms of the artistically beautiful
A. Symbolic artistic form
B. Classical artistic form
C. Romantic artistic form
3. The arts
A. Architecture
B. Sculpture
C. Romantic arts
ІІ. Greek art and the concept of the classical
1. Greek art and the classic ideal
A. Correspondence between content and form
B. Self-contained form and repose
C. Degree of individualization
2. The classical temple
3. Sculpture
A. Sculpture between architecture and romantic arts
B. Universality and individuality in sculpture
4. The classic in Greek poetry
A. Epic narrative
B. Lyric poetry
C. Drama
ІІІ. Hegel’s understanding of literature
1. The meaning of the term “poetry”
A. Poetry and the other arts
B. Devices in poetry
2. Poetry and prose
A. Poetic and prosaic world view
B. Poetry and the prosaic types
3. Concept, notion, literary work
A. Concept
B. Notion
C. Literary work
4. The poet’s involvement
A. Imagination, objectiveness, originality
B. The classical artist
C. The poet in lyric poetry
ІV. Literary types
1. Epic narrative
A. Epic types and the genuine epopee
B. Characteristics of the genuine epopee
C. The Greek epic narrative juxtaposed with that of other nationalities
2. Lyric poetry
A. Lyric content and form
B. Degree of spiritual development presupposing the development of lyric poetry
C. Types of lyric poetry
D. Historical development of poetry
3. Drama
A. The principle of dramatic poetry
B. The principle of tragedy and comedy
C. The relation of a dramatic work to its audience
D. Ancient and modern dramatic poetry
V. Literature in the history of the spirit
1. Hegel’s philosophy of history
A. The principle of development
B. The geographical factor
C. Subdivision of world history. The East and Europe
2. Literature and history
A. Art in the history of the spirit
B. Literature in the history of art
3. The history of literature
A. Epic narrative
B. Lyric poetry
C. Drama
VІ. Hegel’s contribution to Aristotle’s literary theory
1. The idea of history
A. Terminology
B. Literature and other activities
C. Aim in the literary work
2. Tasks of literary theory
A. The idea of literary science
B. The structure of the literary treatise
C. Tasks of literary theory
3. Classification of literary types
A. Hegel’s criterion for identifying the basic types
B. Classification of subtypes
4. Aesthetic categories
A. The beautiful
B. Specific forms of the beautiful
C. The tragic and the comic
5. Rules for composing a literary work
A. Foundations of a work of art
B. Action
C. Characters
D. Linguistic expression
E. Staging
6. The question of the history of literature
A. Literature and human nature
B. Discriminating the types and the aim of literature
C. Poetic gift
After Hegel. The potential of Marxist cultural studies. A. F. Lossev...219
І. From the history of the concept of culture
1. The necessity for clarifying the concept of culture
A. The point of view of the present research
B. The concept of culture
2. A few words on the ancient and Christian counterparts of the contemporary view of culture
A. “The contemporary view”
B. Antiquity
C. Culture from the Christian point of view
3. Culture as a stage of man’s perfection
A. Attempts at overcoming the dualism between the “spiritual” and the “secular” concept of man
B. The progressist and the essentialist view of culture in Hegel
4. Culture as a specific feature of human existence
A. The anthropological view of culture
B. Hegel and the anthropological view
5. Culture and literature
A. Literature as a product, sign or element of culture
B. Literature – an exponent of Weltanschauung and a performer of functions
ІІ. “The History of Ancient Aesthetics” as Marxist research……236
1. A. F. Lossev and the Marxist philosophy of history
A. A. F. Lossev’s influence in Bulgaria
B. Lossev as a Marxist
2. Culture from the point of view of the general principles of Marxism
A. The Marxist principle
B. The Marxist view of culture
3. Primitive and slave-owning formations. The question of ancient slavery
A. Primitive formation
B. Slave-owning formation
4. Lossev’s theses on ancient culture
A. Lossev’s understanding of “culture”
B. Antiquity as cosmologism
C. Antiquity as fatalism
5. Literature within the framework of ancient culture
A. Ancient literature as an outcome of the meeting of tribal heritage and the slave-owning principle
B. Ancient literature and Lossev’s “Theses”
C. Homer’s theses
6. Lossev and Hegel
A. The historical concept and the idea of culture
B. Culture as Weltsanschauung
C. Culture and literature
Excursus
How to polemize with the classics. “The open society” of Karl Popper...263
I.Criticism of Platonism
1. Historicism and the fight against change. Plato’s predecessors
2. Socratism and Platonism
3. Thucydides` typology
II. Aristotle as Hegel’s predecessor
1. Anti-equalitarianism and racialism
2. The mean as an “extreme in virtue”
3. Essentialism
II. Criticism of Hegelianism
1. The biological metaphor and the philosophy of identity
2. The nationalistic ideology and the principle of leadership
3. The historical factor in the formation of culture
III. Criticism of Marxism
1. Hegel’s heredity
2. Economic determinism
3. “The better, the worse”, or on the activities of the Communist party
4. The advantages of democratic interventionism
5. Marxism and culture
IV. The open society as a project for social activity
1. The idea of an open society
2. The fight against the open society
3. Rationalism as a moral choice
Al. Nichev on Aristotle’s literary theory...317
І. The mystery of the tragic catharsis
1. Plato and Aristotle
2. The burden of compassion
ІІ. The classical philologist as a literary scholar
1. The function of literature
2. Interpreting the ancient literary text
3. Interpreting the ancient philosophical text
ІІІ. “The mystery” as a moral allegory and an esoteric treatise
1. The problem of religion
2. Science and esoterics
What is ancient Greek literature..........339
І. The idea of literature
1. On definition
2. Criteria for distinguishing between the types of literature
3. Theoretical literature
4. “Historical” literature
5. Rhetorical literature
6. Fiction…
ІІ. Ancient Greek literature
1. The language
2. The culture
3. Two views on ancient Greek literature
Bibliography and abbreviations............357
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